Mark de Klerk | Playing Golf with Nelson Mandela

Playing Golf with Nelson Mandela Once again, I am in the roughfeeling inferior to the guy behind mewho keeps hitting holes-in-one.After a...

Khosa J.K. Chambalo | Memory Lane

The red earth of Malawi does not forget the footprints of its children. Even when the rain washes the surface clean,...

Abigail George | Black Vulnerability, Black Stigma

Black vulnerability, black stigma There's a swamp in his breath, swampy breathvolcanic ash in his pink nostrils, dragonThe red light from the...

‘Shèun Ominira-Bluejack | “Uneasy Lies The Head”

“I am an African! I owe my being to the hills and the valleys, the mountains and the glades, the rivers,...

Newpanther | Chapter 9

Chapter 9 yesterdays agoI saw long haired hippies in black and whitereligious groupies squatting everywheretelling fortunes under Shaman trancedrop a bit of...

Michael Barrington | A Toast to Africa

The message from the Regional Director was sparse and uncompromising—no explanations, only urgency. He should leave at once. His destination lay...

Yagazie Chinekotam | The Old High Gate Hotel

The set of apartments sat like the last twelve cubes in a St. Louis sugar box. I could smell the aroma of...

Cliff Burns | First Meeting

First Meeting You are the Otherbut from your pointof view so am I Inside Schrodinger’s Boxstaring at each otheruncertain what happens next Tribal peoplemeeting...

LAST MONTH...

Brian Obiri-Asare | in pure moonlight

in pure moonlight +++over at the chop bar, where they’re still palavering & holding onto the promise of this world, her sighs return +++from the abyss...

The Permanence of Loss | A Conversation with Ìfẹ́olúwa Àyàndélé

Ìfẹ́olúwa Àyàndélé’s debut poetry collection, My Father Paints His Dreams on My Body (2026), was published by Moon City Press at Missouri State University...

Scott Frost | The First Thing They Take

The First Thing They Take I. before you learn your kradinis the first thing they take.not gently--nothing sort of exciting--but like a tax, they takeeven though...

Abigail George | Old Brown Sherry lullaby

He beat her black and blue when he was drunk (or) Old Brown Sherry lullaby On Friday nights, we would go to Spur and order steak,well-done. His...

B. Guserwa | A silent affection

My old man loves his wife, but you would never know it. You wouldn’t know it from the way he never says her name, from...

Rais Tuluka | The Lineage Behind African Eyes

I have begun this essay eight times and deleted it eight times. I keep seeing your eyes, which are also the eyes of my...

RANDOM CONVERSATIONS

Prof. Monica Mweseli: Okot P’bitek’s Call Still Relevant to All African Writers

Political turbulence following Idi Amin’s 1971 coup in Uganda...

Ali Znaidi: A poem is a kind of selfie captured in words

Ali Znaidi is a widely anthologised writer. A Tunisian...

“The artist is a person at a crossroads” – Francis B. Nyamnjoh

Cameroonian Scholar Francis B. Nyamnjoh on Art, Academia, indebtedness,...

Namwali Serpell: Planting Seeds in a Garden of Intention

Namwali Serpell. Born in Lusaka, Zambia. The ethereal forms...

Nengi Ilagha: Words are the instruments of our warfare in the spirit, as in the flesh

NENGI JOSEF OWEI-ILAGHA, fondly called Pope Pen the First,...

“My repression is as legitimate as your freedom”: A Conversation with Yẹ́misí Aríbisálà

Yẹ́misí Aríbisálà, formerly Yẹ́misí Ogbe, is a food memoirist...

Shadreck Chikoti: Speculative fiction is wide in its scope

Shadreck Chikoti is passionate about the development of writing...

Harry Garuba: In Praise of “the Thursday People”

Harry Garuba who passed in February 2020 was a...

Toni Kan Onwordi: Writing is profitable if you know how

Toni Kan Onwordi, better known simply as Toni Kan,...