Naza Amaeze Okoli, PhD, Editor, is a postdoctoral fellow at Georgia Tech’s School of Literature, Media and Communications where he teaches courses in literature and writing. He is co-editor of Footmarks: Poems on One Hundred Years of Nigeria’s Nationhood. He tweets @nazaokoli.
Wesley Macheso, PhD, Associate Editor, is a Malawian writer. He teaches literature at the University of Malawi to survive and he writes to live. His short story “This Land is Mine” is published in Water: new short story fiction from Africa (2016) by Short Story Day Africa. He won the 2015 Peer Gynt Literary Award in Malawi for his children’s book Akuzike and the Gods (2017). Some of his poems are anthologised in Wreaths for a Wayfarer (2020). His work can be read online on African Writer, Brittle Paper, Storymoja, The Kalahari Review, and Agbowo magazines. He edits for www.africanwriter.com and www.africainwords.com
Tolu Akinwole, Associate Editor, Curator, DiaCritique, is a PhD student in English at the University of Wisconsin-Madison where he recently earned a master’s degree in African Cultural Studies. He is interested in the everyday politics and Afropolitan sensibilities of the African urban space and how these are shown in Anglophone African literature. He is co-editor of the poetry anthology, Our Legacy of Madness.
Abigail George, Contributing Editor, was nominated for the Pushcart Prize. She briefly studied film at Newtown Film and Television School in Johannesburg. She is the recipient of grants from the National Arts Council, Johannesburg, Centre for the Book in Cape Town, and ECPACC (Eastern Cape Provincial Arts and Culture Council) in East London. She has been widely published from Australia, to Finland to Nigeria, and New Delhi, India to Istanbul, Turkey and Wales. Her blog African Renaissance can be found online in Modern Diplomacy under Topics. She contributed for a year to a symposium on Ovi Magazine: Finland’s English Online Magazine. She is a poet, fiction writer, feminist thinker, essayist, and a blogger at Goodreads.
Sola Osofisan is the founder and editor-in-chief of Africanwriter.com. A writer, screenwriter and filmmaker, his movies include ‘Unbreakable’ (2018, Screenwriter, Co-Producer), ‘Over Her Dead Body’ (2022, Screenwriter, Producer, Director). His award-winning radio play, OLD LETTERS, was produced and broadcast by the BBC. A three-time winner of the Association of Nigerian Authors national awards (prose and poetry), he is the author of The Simple Joys of her Final Days (creative Chronicles), DarkVisions (Malthouse), Darksongs, The Living & the Dead (Heinemann) and Blood Will Call.
E.E. Sule is the pen-name for Dr. Sule E. Egya. He teaches Creative Writing, African Literature and Modern Literary Theory in the Department of English & Literary Studies, University of Abuja, Abuja FCT, Nigeria. He is the author of Impotent Heavens (a collection of short stories); Dream and Shame (short stories); Naked Sun (a volume of poetry); Knifing Tongues (poetry); The Writings of Zaynab Alkali (a critical book, co-authored with Umelo Ojinmah); In Their Voices and Visions: Conversations with New Nigerian Writers (a book of interviews), and What the Sea Told Me (poetry). His poems, short stories, literary and scholarly essays have appeared in journals, e-journals, anthologies and literary magazines in Nigeria, the USA, Germany, Spain, India, the UK, Senegal, etc. He has read his works to audiences both in Nigeria and abroad. In 2007, he had a nine-month writing residency in Senegal where he worked under the mentorship of the world class Ghanaian writer Ayi Kwei Armah. His maiden novel, Sterile Sky, won the 2013 Commonwealth Book Prize (Africa Region).
Sanya Osha is a philosopher, novelist and poet. In 1992, his work, eventually published as Dust, Spittle and Wind (2011), was joint-winner of the Association of Nigerian Authors’ prize for prose. His other novels are Naked Light and the Blind Eye (2010) and An Underground Colony of Summer Bees (2012), a novel about a drug subculture set in Durban, South Africa. He has also published a book of poetry, A Troubadour’s Thread (2013). Postethnophilosophy, his work of philosophy, received honorable mention in 2013 from the New York Association of African Studies (NYASA). He lives and works in Pretoria, South Africa.