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Khosa J.K. Chambalo | Groaning of Prisoners

The red earth of Zomba drank the rain greedily, but it could not swallow the sound that rose from the high walls of the prison. It was a low, guttural noise, like the rumbling of a distant storm that refuses to break. To the people of the valley, it was the groaning of the prisoners.

Yowoyani walked slowly along the muddy path, his feet wrapped in worn sandals that slapped against the wet ground. He was a man of umunthu, a person who understood that a human is a human through other humans. Yet, today he walked alone toward a place where humanity was stripped like bark from a tree. His son, Chimbizgani, was inside. He had been taken not for stealing goats or burning fields, but for speaking words that the heavy men in the capital did not wish to hear.

In the days of our fathers, justice was settled under the shade of the kamphoni tree. The elders would sit, chew on sticks of neem, and talk until the truth floated to the top like cream on milk. If a man wronged his neighbor, he paid with livestock or labor, and the circle of the village remained unbroken. But the new laws were like a sharp knife that cuts the rope binding the bundle; they separated the man from his kin and locked him in a box of concrete.

Yowoyani reached the gate. The guard, a young man with eyes hard like stones, looked at the basket of nsima and dried fish. He nodded once, a sharp jerk of the chin, and opened the small wicket.

Inside, the air was thick with the smell of sweat and despair. Chimbizgani sat on a wooden bench, his shoulders slumped. He looked thinner, his ribs visible like the rungs of a ladder beneath his shirt.

“Father,” Chimbizgani said, his voice raspy.

“My son,” Yowoyani replied. He did not weep. Tears are for the private hut, not for the ears of the warders. He pushed the food through the gap. “Eat. Strength is needed for the burden.”

Chimbizgani touched the wrapped nsima but did not unwrap it. “The hunger here is not in the belly, Father. It is here.” He tapped his chest. “It is the hunger of silence.”

Yowoyani nodded slowly. He understood. The elders say, “the bird that sings too loudly attracts the hunter.” Chimbizgani had sung too loudly. He had spoken of freedom when the masters wanted only obedience.

“They say you must wait,” Yowoyani said. “The river does not flow uphill. We must wait for the season to change.”

“How many seasons, Father?” Chimbizgani asked. “I hear the groaning at night. It is not just me. It is the men who forgot their names. It is the men who were taken from the tea estates and never returned. Their groaning is the prayer of this place.”

Yowoyani looked at his hands. They were scarred from the hoe and the earth. He had spent his life feeding the land, believing the land would feed his children. But the land had been taken, and now the children were taken too.

“The tree does not complain when the wind bends it,” Yowoyani said softly. “It bends so it does not break. You must bend, Chimbizgani. Survive. To die here is to let them win twice.”

Chimbizgani looked away, toward the small slit of a window where a sliver of the Malawian sky was visible. It was blue and indifferent. “To bend until the back breaks is not survival, Father. It is slow death.”

The guard banged his rifle against the iron bars. “Time is finished.”

Yowoyani stood up. His knees cracked like dry twigs. He wanted to say more, to offer wisdom that could shield his son from the darkness, but what wisdom protects against a locked door? He turned to leave.

“Father,” Chimbizgani called out. “Do not let the village forget us. If the smoke stops rising from our hut, who will know we existed?”

“I will keep the fire burning,” Yowoyani promised.

He walked out into the rain. The red earth was now slick, clinging to his sandals like guilt. As he moved away from the walls, the groaning began again. It rose above the sound of the falling rain, a chorus of men who had been turned into shadows.

Yowoyani walked toward the bus stop that would take him back to the village near the lake. He thought of the warm waters of Lake Malawi, vast and deep. They said the lake had spirits that watched over the people. He wondered if those spirits heard the groaning from Zomba. He wondered if the spirits cared.

Yowoyani remembered of things falling apart, of centers that could not hold. He felt this truth in his bones. The center of his world was not holding. The law of the village was dead, killed by the law of the state.

He boarded the bus, shaking the mud from his feet. The engine coughed and roared to life. As they drove away, Yowoyani closed his eyes. But he could still hear it. The groaning of the prisoners. 

It followed him home, settling into the thatch of his roof, waiting in the empty chair where his son should have sat. It was the sound of a country holding its breath, waiting for a dawn that was slow to come.

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Image: a remix

Khosa J.K. Chambalo
Khosa J.K. Chambalo
Khosa J.K. Chambalo is a Malawian writer and narrative storyteller whose storytelling combines the beats of everyday village existence with timeless insight and social commentary. His short stories, in which some have been published in Malawi News (2021, 2024), are drawn from Malawian culture, oral society, and the lives of individuals at grassroots level. Both in English and in Chichewa, Chambalo's prose calls forth his people's voices with Chinua Achebe-like flair using proverbs and cultural motifs that ground his fiction in African authenticity.

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