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Khosa J.K. Chambalo | Dry Womb Waits

A village is not only soil and huts, but also memory, shame, and hope stacked together like firewood behind a kitchen. In the low-lying plains of southern Malawi, the dust listens carefully to footsteps. Kalimbe was quiet, but it was never empty of stories. The elders used to say that when a village keeps silent, it is sharpening its tongue.

Mabvunika was a woman whose back was straight and whose eyes never settled. She had married Mbulumira. Their union had been celebrated with ululations that shook the mango trees, and people said the marriage was strong because it joined two villages that had never quarrelled. But time, like a stubborn goat, refused to be driven.

One rainy season followed another, and the cooking pots of Mabvunika remained empty. The women at the borehole started whispering, and water is a more potent liquor than beer. “A granary without maize is an invitation to rats,” said one woman. Another joined in, “A house without children is an invitation to storms.” Mabvunika heard these sayings even when they were not meant for her. Silence, after all, is louder than insults.

Mbulumira attempted to ignore the sound of the drums beating behind his back. At first, he stood up for his wife like a young bull. “The moon does not ripen all fruits at once,” he would say. But with the seasons piling up like unwashed plates, his temper grew thin. He started to stay longer at the trading centre, laughing too loudly, drinking too much.

One day, as the sun slumped wearily against the hills, Mbulumira sat with his friends under a chitimbe tree. Among them was Kaniche, known for his sharp tongue and dangerous counsel.

Kaniche cleared his throat and spoke as if casting a stone into still water. “Why do you always guard an empty nest? Our traditions do not bind a man to hunger.”

Mbulumira scowled. “A man who hastens to fill an empty pot may never learn why it broke,” he said, though his voice was not strong.

Kaniche smiled. “There is Tinyande,” he said carelessly, as if referring to the weather. “Young. Fertile. She greets you with respect.”

The words trailed Mbulumira back home like stray dogs. That evening, he sat opposite Mabvunika, who was arranging beans with an exaggerated sense of precision.

“I would like us to talk,” Mbulumira said.

Mabvunika raised her eyes. “Conversations that follow the setting of the sun often have thorns in them.”

Mbulumira swallowed hard. “I am contemplating taking a second wife.”

The beans went scattering all over the mat as if they had been spooked. Mabvunika felt the ground sway beneath her feet. For a moment, she did not speak, as if pain, like fire, needs oxygen to burn.

“Which village?” she asked finally.

“The woman from the next compound, Tinyande,” Mbulumira answered. “She is already pregnant.”

The words fell like a cut-down tree. That night, Mabvunika wept until the owls were bored with listening. But beneath her weeping, her brain was grinding like a pestle in a mortar. The first wife swallowed her pain like bitter roots. She recalled: “When the bush is on fire, the wise hare does not run with closed eyes.”

Months went by. Tinyande came with singing and fresh pots, her pregnant body proclaiming hope to all. The village rejoiced once more, but this time the wailing was laced with salt. Mabvunika kept to herself, but she did not sleep with her hands clasped together. She went to Ambiri akutero pvt clinic with complaints of illness and weakness.

Fever shook her like a mango tree in a storm. The nurse asked questions carelessly, the way people do when they think they already know the answers. The health worker listened, nodded, and tested. Then the news arrived, wrapped in disbelief, Tiyesepo smiled gently. “The earth surprises even the farmer,” she said. “You are with child.”

Mabvunika felt laughter bubble up in her chest like a bird trapped behind glass. She knew that hunger can push a person into strange fields. She knew that secrets, like rats, move best in darkness. And she knew that sometimes, when a man plants seeds carelessly, the harvest does not always grow where he expects. She walked home slowly, allowing the news to ripen in her. When she told Mbulumira, he stood still, then laughed, then wept. “The river that was dry has remembered its source,” he said.

He wanted to shout it to the world, even to Kaniche. Mabvunika smiled but said nothing. Some truths, she knew, were best planted and allowed to grow in the dark.

As her belly swelled, the village gazed at her in wonder. Tinyande’s pride faltered. Rumors began again, this time with an edge. The elders gathered and shook their heads. “The rain does not choose roofs,” they said.

In the end, Kalimbe learned what it always learns late: that barrenness is sometimes a season, not a sentence; that impatience invites unnecessary wounds; and that a woman’s silence may hide plans deeper than a well.  

When Mabvunika finally gave birth, the cries of the child sounded like drums of correction. Mbulumira held the baby and trembled, understanding at last that a village must be patient with its own soil. For the land, like a woman, does not forget how it has been treated.

*****

Image: ritul bhattacharjee unsplash remixed

Khosa J.K. Chambalo
Khosa J.K. Chambalo
Khosa J.K. Chambalo is a Malawian writer and narrative storyteller whose storytelling combines the beats of everyday village existence with timeless insight and social commentary. His short stories, in which some have been published in Malawi News (2021, 2024), are drawn from Malawian culture, oral society, and the lives of individuals at grassroots level. Both in English and in Chichewa, Chambalo's prose calls forth his people's voices with Chinua Achebe-like flair using proverbs and cultural motifs that ground his fiction in African authenticity.

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