Njeri’s grandmother used to say the mango tree could listen. Not just hear but truly listen. “It remembers,” she whispered once, her voice thick with smoke and age. “Even the things we forget.”
As a child, Njeri believed her. She believed the tree held stories in its bark, secrets in its roots, and wisdom in the way its branches reached for the sky. It stood in the center of the compound like a quiet elder, watching generations pass beneath its shade.
The compound was always alive with goats bleating, chickens scratching at the dust, smoke curling from the clay kitchen hut. But Njeri found her stillness under the mango tree. She had her own rituals: circling the trunk three times before whispering, pressing her cheek to the bark, hiding fallen leaves in her pockets like talismans.
She whispered things too heavy for her small body, how she feared her mother might never return, how the men at the borehole stared too long, how she wanted to be more than a girl who folded goats’ ropes at dusk.
The tree never answered with words. Only with rustling leaves, or the sudden drop of an unripe mango. But Njeri trusted it. She believed it listened in ways no person could.
Kibe was always near. The boy with dusty knees and a slingshot tucked into his waistband. He could take apart a radio with one screwdriver and put it back together with laughter. They grew together like stubborn weeds between the cracks of stone.
If Njeri fetched water, Kibe carried the jerrican halfway, pretending not to notice its weight. If she sat under the mango tree, he came with stories he’d overheard from older boys.
“Do you think the tree knows our names?” she asked once.
“Of course,” he said, grinning. “That’s why it drops mangoes on my head more than yours. It likes me better.”
She threw sand at him, laughing until her ribs ached. He laughed back, and the mango tree listened.
When the letter came offering her a place at a university in Mombasa, Njeri read it three times beneath the mango tree. Her fingers traced each word as if they might vanish.
That evening, she sat with Kibe under the tree. The air was thick with the scent of ripe fruit and the hush of things unsaid.
“I’m leaving,” she whispered.
Kibe nodded, his eyes fixed on the horizon. He handed her a string of cowrie shells, polished smooth. His hands trembled as he tied them around her wrist.
“When you go,” he said, “remember us here. Remember me.”
She wanted to tell him everything—how she loved him, how she would return, how he was more than dust and broken radios. But the mango tree’s shadow swallowed her words. She kissed his cheek too quickly and let silence carry what her mouth could not.
Before dawn, she tucked a folded note into the bark of the tree. She never knew if he found it.
The day she left, the village watched. Women leaned on hoes at the edge of their shambas, squinting against the sun as the dust began to rise from the approaching bus. Old men on three-legged stools cleared their throats and muttered that time had changed, that girls now carried dreams in paper envelopes instead of water in clay pots. Children gathered first, chasing each other through the grass until the bus arrived with a heavy cough of smoke.
Her grandmother moved slowly, wrapping ugali in banana leaves, pressing the bundle into Njeri’s hands as though it were both a blessing and a shield. Her eyes shone with pride, but behind it a worry flickered, the kind that only a grandmother could carry. She whispered, “Do not forget where your roots drink water.”
Neighbors came closer, offering hurried prayers and words that mixed with the rumble of the engine. Someone said, “Bring us good news from the city,” while another added, “Do not lose yourself there.” Njeri smiled, though her throat felt tight, and climbed aboard.
The bus jolted forward, its windows streaked with dust. Outside, children ran after it, their laughter chasing her until the road bent away from them. Each footstep of theirs seemed to echo the weight of her own choices. She pressed her forehead against the glass and watched the fields roll by in a blur of red earth and green shoots.
And then, between the thinning crowd and the bending road, she saw him.
Kibe stood beneath the mango tree, his hands buried deep in his pockets, his head lowered as though the soil itself had called his name. The branches swayed above him, restless in the morning wind, as if trying to hold her gaze and keep her from leaving. For a heartbeat too long, Njeri wanted to shout for the driver to stop, to run back into the shade of the tree and tell him everything she had swallowed in silence. But the bus groaned forward, and soon the tree was only a green blur in the distance.
She sat back, clutching the warm bundle of ugali, and whispered to herself, “I will remember.”
======
The ocean roared like a new language, loud and endless. Salt clung to Njeri’s skin, curling her hair and settling into her clothes. The air felt wider here, as if it carried more dreams than she knew what to do with.
The university campus was a maze of concrete buildings and fast-moving voices. Her roommates wore perfume that lingered long after they left the room. They spoke about internships, scholarships, and cities she had never seen. Their laughter filled the hallways, light and easy, like they belonged to a world she hadn’t yet entered.
Njeri studied literature. She scribbled poems in the margins of her textbooks…quiet lines about trees, silence, and things she missed but couldn’t name. At night, she wandered through the market, where fish still wriggled on hooks beneath harsh white lights. Women bargained over spices with voices sharp enough to cut the air, while men spun circles of dough and slapped chapati onto iron pans that hissed like steam escaping from a hidden chamber. The smell of frying onions clung to her clothes, the clatter of coins mixed with laughter, and the whole place pulsed as if it carried its own restless heartbeat.
She tried to pray under a palm tree once, but it didn’t feel right. The ground was too smooth, the silence too clean. She missed the red soil, the way the mango tree creaked when the wind passed through its branches.
She dated a boy who liked to talk about books and ideas. He wore cologne that smelled like rain and asked questions she didn’t want to answer. He didn’t understand her quiet moments, the way she sometimes drifted into thought and stayed there. He didn’t know about Kibe, or the mango tree, or the ache that came at night like hunger.
Letters from home came less often. At first, Kibe wrote short notes about fixing radios, about how the mango tree had dropped fruit early that year. He drew little diagrams in the corners, just like he used to. She kept them in a shoebox under her bed and read them when the city felt too loud.
Then the letters stopped.
Her grandmother’s voice grew softer with each call. “Pray, my child,” she said. “If you cannot find a mosque or church, pray under the mango tree.”
But exams piled up. Deadlines came fast. Njeri called less. She told herself it was the cost of becoming someone new.
Still, some nights, she dreamed of the tree. In her dreams, it was taller, older, blooming with cowrie shells instead of fruit. She stood beneath it, barefoot, whispering a name she hadn’t spoken in months.
She always woke with her throat tight and her hands curled into fists.
She returned only once, when her uncle died after drinking chang’aa. The funeral was loud, drums rolling through the air, women wailing in sharp bursts, men muttering their disappointment as if trying to bury it alongside the body.
When no one was watching, she slipped away and walked alone to the mango tree. She pressed her forehead to its rough bark, feeling its quiet strength steady her.
I am still here. Do you hear me?
From a distance, she saw Kibe. He was taller now, his shoulders broader, his face carrying the heaviness of years not yet lived. He did not walk toward her. Their eyes met across the shifting crowd of mourners. His gaze held her for a moment, long enough to stir everything she had tried to quiet, then slid away.
That night, in the dim light of a borrowed lamp, she opened her notebook and wrote: We are the distance between roots and the sea.
Three years later, a call came from her cousin. Her voice trembled.
“Kibe is gone.”
Njeri froze. Words blurred; matatu stage, knife, wrong place, wrong time. Some said he was defending a stranger. Others said nothing made sense.
All Njeri could think of was the mango tree, waiting in silence, listening.
She returned for the funeral. The village air was thick with ripe fruit and sorrow. Children played barefoot between chairs. Elders murmured prayers. Kibe’s mother wept into a leso, her body trembling.
Men carried the coffin past the mango tree and lowered it into the soil where roots curled unseen.
When the crowd thinned, Njeri walked alone to the tree. Pressed her cheek against its bark.
I should have told him.
A breeze stirred. A mango fell, rolling to her feet. She picked it up, its skin warm from the sun, and for the first time, let herself cry. Tears soaked into the red earth, and the tree held her grief in silence.
She stayed longer than planned. Helped her grandmother herd goats. Cooked ugali in the smoky kitchen. Fetched water from the borehole where memories crowded her.
Villagers stopped her sometimes.
“Why do you look like your mother when you stand under that tree?”
“Do you remember racing Kibe to fetch water?”
She smiled faintly and walked away before tears betrayed her.
One afternoon, she sat with Kibe’s younger brother, a boy of fifteen with the same eyes.
“Did you love him?” he asked quietly.
Her throat tightened. “Yes.”
He nodded. “He loved you too. He told me once, when we were repairing a radio. He said it didn’t matter if you left, as long as you remembered him.”
Njeri touched the frayed cowrie shells still tied around her wrist. “I remember.”
In the weeks that followed, she began to write differently. Not for stages or applause, but for the mango tree, for Kibe, and for the soil that had swallowed too much sorrow.
She read her stories aloud to children who gathered at dusk, their laughter splintering the silence and breaking through her grief. One morning, she planted a second mango tree beside the first.
“This one is for the stories we have not told yet,” she whispered, patting the soil into place.
Kibe’s younger brother carried her poems to school and read them aloud to his classmates. Her grandmother stirred porridge over the fire and smiled, saying softly, “You write the way your mother used to dream.”
When she returned to Mombasa, she carried with her a small jar of soil gathered from beneath the mango tree. She placed it on her desk beside her notebooks. And whenever the city pressed too loud against her heart, she unscrewed the lid, breathed in the earth, and remembered.
======
Years later, when her first book was published, she dedicated it to Kibe. The opening line read:
There was once a tree that listened, and under it, I learned that love can outlive the body.
Readers praised the lyricism. They underlined passages. But none knew the story was about a boy with one good screwdriver, about cowrie shells clinking softly in the night, about silence between two young people who loved but never spoke.
Whenever she returned to the village, she walked to the mango tree. Sat beneath its branches. Closed her eyes.
I am here.
And always, a breeze stirred the leaves.
I remember too.
Njeri understood at last: some stories do not end. They keep breathing in soil and branches, in poems and silences. She had thought leaving meant freedom. But freedom was not forgetting. It was carrying memory, letting it root her no matter how far she traveled.
The mango tree remained, tall and patient. Children played in its shade. Elders talked politics beneath it. Lovers whispered promises against its bark.
And in its roots, the memory of Kibe rested.
Not gone.
Not forgotten.
Listening.
======
Image: Creativograf remixed

This is such a beautiful read, Bodges. Love how you combine calm and quiet sadness together so gently, and somehow turn everyday experiences ( I guess we’ve all lived through) into something tender and unforgettable.
Thanks Carol. we’ve all been through such situation
oh wow this is beautiful 🥰
It’s a great read bro. Kept me carried away through out the moment. Keep it up
This story is beautifully written. I loved how the mango tree became such a quiet but powerful symbol of hope, memory, and growth. Njeri’s moment under the tree felt deeply human and relatable. Thank you for such a thoughtful and moving piece.
truly touching story. The imagery is vivid, and the symbolism of the mango tree is subtle yet powerful. I really enjoyed this.
I was drawn in by the simplicity and emotional depth of this story. The mango tree as a space for reflection and transformation was especially well done. Your writing lingers long after reading. Wonderful work.
why did Kibe have to Die?? he should have married in the village and stop small fights. Anyway, literature just got us. thank you
Wow, ‘The Mango Tree’ is a beautiful story!
It’s so vivid, and the themes of nostalgia and growth really resonate my guy.
This story had me hooked from start to finish! Can’t stop thinking about it . Absolutely beautiful! I’m proud of you.
such a nice read. I got mixed feelings. so much emotions.
keep doing it.
The mango tree feels alive with secrets and stories. A piece of art this is.
fantastic job classy…keep it up.
Wow…!! what an art. Can you brownie do this more and more
The Mango Tree is a quiet, powerful story that stays with you. I loved how memory, love, and loss were woven so naturally into everyday village life, especially through the mango tree as a listener and witness. The writing feels patient and honest, and the emotions never feel forced. It reminded me that growth doesn’t mean forgetting, it means carrying where you come from with you. A truly moving and beautifully grounded piece.
Damn, totally relatable
idk honestly I’m out of words considering I feel like in one way or the other this is my life or somebody’s.
Great work Mugendi 🥰
Amazing work Bodges
Good job and very interesting my teacher 🙏
The symbolism in this story is subtle and powerful…Njeri and Kibe felt so real, like people we’ve all known in one way or another….a quiet and powerful piece that reminds us that leaving is not forgetting
This is the best thing I’ve read in the Internet today. Kudos Bodges.
what a beautiful story, you are an amazing writer for sure.
A great read. the writer captures both themes of traditionalism and modernism in the story. Teaches us alot about life and to always express what’s in our hearts. looking forward to reading more of your work
This is absolutely beautiful art. The mango tree as a keeper of memory and witness to love, loss, and becoming is such a powerful symbol. The line “We are the distance between roots and the sea” will stay with me for a long time. Tender, lyrical, and deeply moving . Thank you for telling a story that feels both intimate and universal.