Thursday, September 12, 2024

CREATIVE NONFICTION

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Prince Ihè | Here, We Sing A Sad Song

"We only live once. We only die once. How...

Michelle Chepchumba: When Your Life Means Nothing

It is past midnight. Maybe 1:00 am, maybe 2:00....

The Sight of the Sound: Instructions for the Slaughter of Small Ruminants and Monogastric Animals

The closed door notwithstanding, the proceedings bore audibly into...

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

The shoes on my feet have seen three generations...

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

The audience is witnessing a moment in a support...

PLAY

Interview with Hafsatu Ahmed Abdulwahid

ADAMU: Could we hear a brief about your life? ABDULWAHID:...

Chika Unigwe on Modern-day Sex Slavery and the Politics of Belonging

Chika Unigwe, after several years living in Belgium, recently...

Playing with Poetry: A Conversation with Tade Ipadeola

"I do think that our greatest investments should be...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Regret: A Poem by Sanya Osha

REGRET I And what are you all looking at And waiting for? You...

Good Girls Go To Heaven, Bad Girls Go Everywhere

I AM THE LAST MAN STANDING At the last...

The Way of Things: Poems by Emmanuel Idem

THE WAY OF THINGS Never did I love with more...

RANDOM FLASHBACK

LAST MONTH...