Persuasion
Image by skeeze from Pixabay

Abigail George: Persuasion

PERSUASION

(for Mishka and Stuart Hoosen-Lewis)

You’re a couple in the crossing. I’m not part of a couple.
My stories come out of the light that is shining in and out
of soma, of millennia, of the most loved dream factory, of
my body and my soul, take me high, take me low, take me
to the sanctuary where I will grow my hair long again. You’ve
never seen me with long hair before. Your deluge is settling
into the centre of the winter river that is rolling around inside
my head, it feels like snow-imagined, sucking in of ancients,
wind, breath, skies, and I don’t know what I know anymore.
I celebrate my life in therapy, think of Rimbaud, Nietzsche,
saying goodbye to my sister who is emigrating to Prague. I
will never see her again, kicking contradiction, love showed
up, and my reaction was more or less greeting Alaska, I don’t
know how to say goodbye, so I’m pushing you away because
it hurts so much to watch you leave forever. You’re touching
the sky, capable of finding peace amidst the chaos tonight, and
you’ll fall in love, and you’ll have daughters and sons. You’ll
have music, you’ll have flowers, you’ll have hobbies, politics,
you’ll become a sexual person, you’ll become alive again, but
I won’t be there to see it, to know that future-person you’re
still going to become. I’m altruist, you’re bone-thin, from mad
to now, from paradigm to paradigm, you’re a cook for all
seasons, but you never cook for me, for your elderly parents,
for your brother, or nephews. This is my secret. I’ll miss you.

We can believe in our blues, our obsessions, our separation,
cigarette smoke, so I close the window. I was never truly in
my element. I wanted other dimensions, the dimension of health.
You never loved me, you never called me sister, and now
you’re halfway to Prague, and I’m still dreaming of Paris, even
though I know I’m never going there. I’m without you, I’m
solo, but you’re still here, and still, still, still you don’t love me,
you don’t say that you’re proud of me, that you support my old
opinion, my journalistic-instinct, my novels, my sin, find me,
find me, find me. You don’t love me. You’ve said as much
repeatedly. I am not my mother’s daughter. She never wanted
an intellectual-prophet for a daughter. She desired beauty (don’t
make me cry, post-apartheid South Africa), and you, you are
beauty. Beauty in jeans, beauty in leather boots, beach life beauty,
brave beauty, pale beauty, and I’m sure Robert would have
fallen for you, just like any other hotblooded male. You don’t
love me. You don’t love me on this mountain, in this valley of
angels and aliens, castles in ruins, this is a feast of a book of
secrets, take the shot, make me bleed, make me cry (you’re so
good at that). I miss the way it used to be, but we aren’t kids,
we’re lions, we’re running away from home in our thirties, we’re
going places where we will be carried with purpose, just like fire.

———————
Poem © Abigail George
Image by skeeze from Pixabay

Written by
Abigail George

Abigail George studied film and television production for a short while, followed by a brief stint as a trainee at a production house. She is a Christian feminist, writer and poet. She lives in Port Elizabeth, South Africa. She has had poetry published in print and online. She has had short fiction published online. In 2005 and 2008, she was awarded grants from the National Arts Council in Johannesburg. She is not purely devoted to poetry but to pursuing writing full time. Storytelling for her has always been a phenomenal way of communicating and making a connection with other people. She writes for Modern Diplomacy and contributed bimonthly to a symposium on Ovi Magazine: Finland’s English Online Magazine. Her latest book Winter in Johannesburg is available on Kindle via Amazon.

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