Wednesday, September 18, 2024

CREATIVE NONFICTION

An Ant hefting her Penance: Non-fiction by Aremu Adams Adebisi

I watched intensely as an ant was hefting her...

Rumbie Mugadza | No!

“No” And The Dragon That Could Not Be Slain Your...

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

The shoes on my feet have seen three generations...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Lips are Dark for a Reason: Non-fiction by Aremu Adams Adebisi

My lips are dark. Pitch-dark. Black-charcoal dark. Moonless-night dark....

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

It was a very cold February day in Cambridge,...

Michelle Chepchumba: When Your Life Means Nothing

It is past midnight. Maybe 1:00 am, maybe 2:00....

PLAY

“My repression is as legitimate as your freedom”: A Conversation with Yẹ́misí Aríbisálà

Yẹ́misí Aríbisálà, formerly Yẹ́misí Ogbe, is a food memoirist...

Violet Barungi: I try to highlight social issues affecting women

1.    You began writing while still a student at...

Sefi Atta: Something Good Comes to Nigerian literature

Ike Anya speaks with Sefi Atta on her recently...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Paul O. J.: Grey Night

GREY NIGHT On the pages of the wall                ...

Music Box: Poems by Ehizogie Iyeomoan

music box his tongue searched for answers to the endless questions...

Tomorrow: Poems by Champion Sunday Idogun

TOMORROW Tomorrow is the soothing song our fathers sang and danced...

RANDOM FLASHBACK

LAST MONTH...