Saturday, September 14, 2024

CREATIVE NONFICTION

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

4
The audience is witnessing a moment in a support...

Ritah Tumushabe | Sacred Threads: A Personal Journey of Faith and Loss

0
Today, I have decided to retire my rosary. This...

Rumbie Mugadza | No!

0
“No” And The Dragon That Could Not Be Slain Your...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Prince Ihè | Here, We Sing A Sad Song

1
"We only live once. We only die once. How...

Lips are Dark for a Reason: Non-fiction by Aremu Adams Adebisi

0
My lips are dark. Pitch-dark. Black-charcoal dark. Moonless-night dark....

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

0
It was a very cold February day in Cambridge,...

PLAY

“My repression is as legitimate as your freedom”: A Conversation with Yẹ́misí Aríbisálà

1
Yẹ́misí Aríbisálà, formerly Yẹ́misí Ogbe, is a food memoirist...

The Mystique of Maxim

3
(for Uzor Maxim Uzoatu, Boroja I, Obi of Ikate,...

Toni Kan Onwordi: Writing is profitable if you know how

1
Toni Kan Onwordi, better known simply as Toni Kan,...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Deshawn McKinney: Expiation and Taboo

2
Expiation from the neck ++++++ down +++ art basel he plans +++++++++tagged train...

Nwaoha Chibuzor Anthony: Moths and Flames

1
MOTHS AND FLAMES "Pain, betrayal, love and a teaspoon of...

Lovers in Gwoza: Two Poems by Titilayo Adeoye

18
LOVERS IN GWOZA timidly shaking as legs find air from...

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