Man, Universe And Drama - An Essay By Omale Allen Abdul Jabbar
- By Omale Allen Abdul-Jabbar
- Published July 26, 2007
- Essays
- Unrated
Omale Allen Abdul-Jabbar
Omale Allen Abdul-Jabbar is a masters holder in Law & Diplomacy (pen name Mmaasa Masai). Chairman, Association of Nigerian Authors, ANA, Plateau chapter, as well as Ex-officio member of ANA the National level, he writes poetry, fiction, drama and essays. Married to Rahmah-Allah and blessed with a daughter Imani, his work has been published in Hints, Daily Times, Weekly Trust, Fifty Nigerian Poets, Punch, THESE! Magazine online, etc. He was a Finalist on http://Poetry.com in 2002 for the poem ‘’love affair’’ and subsequently published in anthology "Letters from the soul" , The Ker Review, Blackbiro online, ANA Review, amongst others. His work also appeared in the anthology CAMOUFLAGE. He is influenced by the works of Toni Kan, Helon Habila, Gabriel Garcia Marquez, Ben Okri, Isabel Allende, Margaret Artwood, Pablo Neruda, Maik Nwosu, Toyin-Adewale-Gabriel and David Njoku. EMAIL. Tel: 08033509447
View all Entries by Omale Allen Abdul-JabbarThe world is too much with us
Getting and spending we lay waste our powers
Little we see in nature that is ours...
We have given our hearts away, a sordid in boom!
... both talking about the vain exaction that tasks our lives ... And then Toni Kan, a poet of no mean class and fellow traveling genie, finely encapsulates
What is life but death?
What is gain but loss?
What is laughter but sorrow?
That tasks our lives?
And also this by Karl Marx and Bob Dylan respectively:
“All Solid melt into the air”
“People don’t live or die - people float!”
But Man will never stop in his quest. And thus will continue via science and technology with effects that depletes his ozonic depths and environs until he gets swallowed up and consumed. And also ensuring from the rat-raced survival of the fittest and scramble for the resources which will never be enough. The poem in the movie OMEN also suffices beautifully to analyze the ongoing.
When the Jews return to
... pitching Man against himself, until Man exist; no more!
The play Waiting for Godot by Samuel Beckett also suffices splendidly to sum up this analysis of Man in his universe and incidentally, the theatrical performance of which Shakespeare has described:
Life is a stage
A tale told by an idiot
Full of sound and fury
Signifying nothing
There are entrances and exists
And in one life time, many an
Individual plays many parts
In ... Godot, two tramps converse between themselves in a wasteland, waiting fruitlessly, demonstrating beautifully, the finest portrayal of the notion of the “Hopelessness of Hope”. Waiting for someone who remained unidentified throughout the length and breath of the play, “Godot”, who may or may not exist. And with whom they seldom recollect having some kind of appointment. One of the fellows voiced out their collective frustrations which I dare say is a symbolic metaphorical comment regarding the travails of Man’s conscious and unconscious insatiable quest, and his existence in the Universe.
Nothing happens, nobody comes, and nobody goes,
It’s awful...
The above is again, an elaborate play by Becket, a postulation that parodies the traditional modes of Western Cultures of drama. But most importantly, an inescapable participation of dramatic inquiry and investigation into the life of Man and his relationship with the Universe and vice versa.
Finally, what then is drama? How does this concern Man? How do the three: Man, Universe and Drama, how do they interrelate? Fine, let us proceed.
Man is that being or that entity created into being ( as the holy books tell us) by God Almighty and put in the earth; and then the larger earth, to till and toil and alas! Lie beneath! Because he grew curious, inquisitive and adventurous ... he was Adam, who is also now you and I.
The Universe is the large empty void. All the open spaces of the spheres amounting to the numerous planets, galaxies and constellations, and one particular geo-planetary zone is Earth, in which Man finds a home and dominates.
Drama is an imitation of life and its chief element is action!
Man’s life and existence on earth is theatrical and thus dramatic. And in his blind search for a better day, he delightedly, albeit crazily navigates his way home. And the bulk of his travails, his anguish, his triumphs, his tribulations, his joy and pains and hope and mixed expectations of the new dawn which goes in, to finely define the Colours of dust” he raises in the wake of his steps - the theatre of his absurd existence. And rites of passage: Drama.
In his study of the phenomenon of the world’s existence, Hegel observes that certain laws of motion are inherent in the movement of things. And this, which for the super star and mega artist Michael Jackson, is music. This, the forces he says, hear Michael:
It’s all music... “The music of the spheres”
It is this that governs the architecture
Of all human DNA
The sequence of Night and Day
The movement of the Moon and Stars
The ebb and flow Ocean tides
The migration and Emigration of birds...
The circles of growth and death.
This also seems to be the views of Coleridge and Wordsworth in their Romanticist discuss about the harmony of all created beings and the central oneness of life its Golden rule of “do onto others as you would have done by.” (see the “Rime of the Ancient Mariner”).
Conclusively, Drama is the mirror of societal control and a huge instrument of social change. It is a tool for social investigation and essential control and socialization of Man and expression of societal norms as law, religion, politics, personal and inter-personal behaviours. It informs about the society in which it is set, the state of technology and social institutions and economic existence and conflicts, correcting via satire, ill practice where they abound or simply set and propagate good standards of behaviour for the populace. And so simply, Drama is life!
In the plot of every work of Drama and their divergent ranging themes is Man and his life in the Universe. And the host of woes cum conflicts that plague his journey- his attempts at adaptation and his existence.
... yet, even a stone WANTS to be something! (See the movie: INDESCENT PROPOSAL). But despite all that has been conglomerated herein, nothing captures this feeling and atmosphere of the topic under treatment than these excellent excerpts from Ben Okri’s THE FAMISHED ROAD: Azaro and the spirit journeys into the spirit world and stumbles upon a strange Civilization building a road. Pg. 325 (last paragraph) to 332...